Monday, September 3, 2012



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Location: Karachi
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The design of the Merewether Memorial employs the form of an Eleanor Cross and is in the English Medieval style. There are spires which could have served as a basis for the design of this memorial; for example, St. Mary at Bloxham, St. Peter at Kettering, St. Peter at Raunds and Meven St. Mary at Oxford. In fact, each one may have provided an ingredient or two for the design of this fine memorial tower.

Building designers of the time had become increasingly aware of the capabilities of Indian craftsmen, thus the skill and craftsmanship which has been available to medieval builders was also at Strachan's disposal. Strachan was no doubt aware of the intricate carving executed by native craftsmen for the baserellets designed by Kipling for the Crawford Markets and the then under construction Victoria Terminus. The Memorial shows a heightened sensitivity to detailing and an emphasis on carving and decoration, more then my other building designed by Strachan. Whereas the Empress Market's tower is a little squat, the Merewether Tower is elegant and tall, evoking memories of medieval England.

It was named for Merewether, who served as 'Commissioner-in-Sindh' from 1868 to 1877. Richard Burton, on his last visit to Karachi, paid a tribute to his friend while describing the Government House: " It is at present occupied by General Sir William L. Merewether, K.C.S.I. etc.etc.etc. an officer who, by entire devotion to the interests of his province, the scene of his distinguished career during the last thirty-three years, has made epoch' and history" (Burton 1877:1.76) Burton's opinion of Merewether's services were no doubt shared by others. Initially, a pier had been named in memory of the former 'Commissioner-in-Sindh'. Constructed by the Karachi Harbour Board, which had been formed in 1880, the Merewether Pier had cost three lakh rupees (1882). However, it was later decided that a worthy and visible memorial was in order - a memorial tower of such "prominence as to dominate the skyline of the city" to be built by public subscription. The Tower was placed at the confluence of McLeod and Bunder Road, at the extreme western end of the Serai Quarter, an area which was developed into a thriving commercial center concurrently with the rising fortunes of the city. The Memorial took eight years to complete, and was handed over to the Municipality in 1892 by 'Commissioner-in-Sindh' Evan James. The total cost of the structure and its clock was merely Rs. 37,178 compared to the Rs. 180,000 lavished on the much bigger memorial to Bartle Frere, Frere Hall.

The Memorial Tower stands on a platform 44 feet square and rises to a height of 102 feet. It prominently displays the clock placed at the base of the spire, 70 feet from the ground. Each of the clock's four faces is seven feet in diameter. The large bell installed at the time weighed three hundred weight and struck at every hour, while the smaller bells weighed one hundred weight each and marked every quarter of an hour.

Alamgiri Gate
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Behind Alamgiri Gate
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Diwan-e-Aam: Hall of Public Audience
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Naulakha Pavilion, built by Shah Jahan in 1632, is located on the western side of the Shish Mahal courtyard. It consists of a single rectangular room in marble with a typical convex roof in the style of a Bengal hut. It has three openings in front, one on each side, and a perforated marble screen at the back. It is a superb specimen of extremely minute and delicate pietra dura work in semi-precious stone, with beehive ornamentation on its pillars.
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Jahangir's Quardangle was begun by Akbar and completed by Jahangir in 1618 AD. On the east and west it is surrounded by a row of dalans (porticoes) in the trabeate (beam and bracket) style. There is a large garden inside the quadrangle with a spacious tank in the centre.
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Zenana Sehan (Ladies' Courtyard), built by Shah Jahan in 1633. It was primarily built for the ladies of the harem and was specifically designed with paved paths or walks for the ladies of the fort. In the center of the garden there is a big water basin, made of red sandstone. Only the foundations of the ladies apartments and their private mosque survive.
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Location: Lahore


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The Lahore Fort, locally referred to as Shahi Qila citadel of the city of Lahore, Punjab, Pakistan. It is located in the northwestern corner of Lahore, adjacent to the Walled City. Some of the famous sites within the fort are: Sheesh Mahal, Alamgiri Gate, Naulakha pavilion, and Moti Masjid. The fort is 1,400 feet long and 1,115 feet wide. In 1981, the fort was inscribed as a UNESCO World Heritage Site along with the Shalamar Gardens.

Location: Karachi


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Karachi with its carved cupolas and the miniaturized magnificence of a Rajasthani place the Hindu Gymkhana has almost been adwarfed into invisibility by indiscreet development. Constructed in 1925 on a plot of land measuring 47,000 sq. yds. The Seth Ramgopal Goverdhandas Mohatta Hindu Gymkhana was the first public building in which the sub-continental style of architecture rather than the commonly used European-style was used by its architect Mr. Agha Ahmed Hussain. The stones, for its two feet thick walls, were brought from Bajapur. Its cupolas and balustrades and its scale are directly influenced and derived from the Mughal-Hindu mixed style which characterizes Akber's Fathepur Sikri. It is perhaps the only example of its type left in Karachi.

Outside Main Entrance


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Main Entrance
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Garden
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Entryway to inner courtyard
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Four-tiered minaret
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Pietra dura detail
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Corridor
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Entrance to the tomb chamber
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Artwork
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Jahangir's final resting place
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Jahangir's grave
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Location: Shahdara, Lahore
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Tomb of Jahangir, is the mausoleum built for the Mughal Emperor Jahangir who ruled from 1605 to 1627. The mausoleum is located near the town of Shahdara in Lahore, Pakistan. His son Shah Jahan built the mausoleum 10 years after his father's death. It is sited in an attractive walled garden. It has four 30 meter high minarets. The interior is embellished with frescoes and pietra dura inlay and colored marble.